This project explores the theory and practice of live action camera-based moving image production in the context of film-making. It addresses aesthetics, power, the politics of representation, and ethics across a range of film, television and the Internet. The subject introduces an expanded set of production planning concepts and techniques for video production. Creative and technical aspects of working with scripts, cameras, lighting and sound are explored. The investigation of film, TV and media theory and history is continued with an emphasis on enrichment of the idea generation and a focus on cinema in various historical, contemporary and theoretical contexts.